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Mato-Tope, Adorned with the Insignia of his Warlike Deeds
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Mato-Tope, Adorned with the Insignia of his Warlike Deeds
STC101391 Mato-Tope, Adorned with the Insignia of his Warlike Deeds, plate 14 from Volume 2 of Travels in the Interior of North America, engraved by J. Hurlimann, 1844 (aquatint) by Bodmer, Karl (1809-93) (after); Private Collection; The Stapleton Collection; Swiss, out of copyright
Media ID 22350526
© The Stapleton Collection / Bridgeman Images
Chief Mandan Native American Indian Tomahawk
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EDITORS COMMENTS
This print titled "Mato-Tope, Adorned with the Insignia of his Warlike Deeds" takes us back in time to the rich cultural heritage of Native American tribes. The image, captured by Karl Bodmer and engraved by J. Hurlimann in 1844, showcases Mato-Tope, a prominent chief of the Mandan tribe. In this striking portrait, Mato-Tope stands tall and proud, adorned with symbols that represent his courageous acts on the battlefield. His headdress is intricately crafted with feathers and beads, signifying his status as a respected warrior and leader within his community. Paint adorns his body in vibrant hues, further emphasizing his connection to nature and spiritual beliefs. The chief's strong gaze exudes determination and wisdom acquired through years of experience. Holding an axe and tomahawk tightly in hand, Mato-Tope embodies strength and readiness for any challenge that may come his way. This ceremonial depiction offers a glimpse into Native American traditions that were deeply rooted in honoring bravery and valor. It serves as a reminder of their resilience amidst adversity while celebrating their unique cultural identity. As we observe this remarkable piece from the Stapleton Collection held privately today but once shared widely across North America during its initial release over a century ago - let us appreciate the artistic mastery behind it while acknowledging the historical significance it holds for both indigenous peoples' history as well as our collective understanding of early American culture.
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