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P. Sescau Photographe (poster), 1894 (five colour print lithograph with brush, crayon

P. Sescau Photographe (poster), 1894 (five colour print lithograph with brush, crayon


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P. Sescau Photographe (poster), 1894 (five colour print lithograph with brush, crayon

XIR901539 P. Sescau Photographe (poster), 1894 (five colour print lithograph with brush, crayon and spatter technique) by Toulouse-Lautrec, Henri de (1864-1901); Musee Toulouse-Lautrec, Albi, France; (add.info.: P. Sescau, photographe (affiche)
Poster was created as a shop sign at 9. Place Pigalle for the artists friend, the photographer Paul Sescan.); French, out of copyright

Media ID 12945805

© www.bridgemanimages.com

Camera Disguise Dressing Up Graphic Linear Looking Over Shoulder Mask Pink Dress Post Impressionism Publicity Tripod Black Gloves Fancy Dress Photographing Post Impressionist


FEATURES IN THESE COLLECTIONS

> Arts > Art Movements > Impressionism

> Arts > Art Movements > Post-Impressionism

> Arts > Artists > T > Henri Toulouse-Lautrec

> Arts > Artists > T > Toulouse-Lautrec

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec lithographs

> Arts > Artists > Toulouse-Lautrec > Toulouse-Lautrec posters

> Arts > Artists > Toulouse-Lautrec

> Arts > Contemporary art > Photography > Impressionism

> Arts > Impressionist paintings > Impressionist art > Impressionist paintings

> Arts > Impressionist paintings

> Fine Art Finder > Artists > Henri de Toulouse-Lautrec


EDITORS COMMENTS
This vibrant lithograph print by Henri de Toulouse-Lautrec captures the essence of 19th-century Parisian life. Entitled "P. Sescau Photographe" this poster was originally created as a shop sign for Toulouse-Lautrec's friend, photographer Paul Sescan. The image features a woman dressed in an eye-catching pink dress and wearing a mask, adding an air of mystery to the scene. She is adorned with black gloves and stands against a backdrop of bold outlines and flattened colors that are characteristic of post-impressionist art. Intriguingly, the woman looks over her shoulder while holding a camera on a tripod, symbolizing both her role as subject and photographer. This duality reflects the interconnectedness between artist and muse during this period. The setting is identified as 9 Place Pigalle, known for its bohemian atmosphere at the time. The poster serves not only as an advertisement but also as an artistic representation of photography itself. Toulouse-Lautrec's mastery shines through in his use of brushwork, crayon techniques, and spatter effects to create depth and texture within the print. The result is a visually striking composition that showcases his unique style within post-impressionism. Now housed at Musee Toulouse-Lautrec in Albi, France, this print continues to captivate viewers with its graphic appeal and timeless depiction of Parisian culture from over a century ago.

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