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Robert Fitzroy, Earl of Gloucester from Newgate (now at Arnos Vale, Brislington)

Robert Fitzroy, Earl of Gloucester from Newgate (now at Arnos Vale, Brislington)


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Robert Fitzroy, Earl of Gloucester from Newgate (now at Arnos Vale, Brislington)

2832561 Robert Fitzroy, Earl of Gloucester from Newgate (now at Arnos Vale, Brislington), 1822 (pencil & w/c on paper) by O Neill, Hugh (1784-1824); Bristol Museum and Art Gallery, UK; (add.info.: surely this is Bishop Geoffrey of Coutance); eBristol Museums, Galleries & Archives; Bequest of William Jerdone Braikenridge, 1908; British, out of copyright

Media ID 22990746

© Bristol Museums, Galleries & Archives Bequest of William Jerdone Braikenridge, 1908 / Bridgeman Images

Bishop Churchman Cleric Newgate Earl Of Gloucester Robert Fitzroy


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> Arts > Artists > R > Hugh Robert

> Arts > Realistic drawings > Pencil drawings > Fine art

> Arts > Realistic drawings > Pencil drawings > Portrait drawings

> Arts > Realistic drawings > Portrait drawings > Fine art

> Arts > Sculpture

> Europe > United Kingdom > England > Bristol > Brislington

> Europe > United Kingdom > England > Bristol > Bristol

> Europe > United Kingdom > England > London > Sights > British Museum

> Europe > United Kingdom > Paintings

> Fine Art Finder > Artists > Hugh O'Neill

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EDITORS COMMENTS
The captivating portrait captured in "Robert Fitzroy, Earl of Gloucester from Newgate" transports viewers back to the early 19th century. Created by artist Hugh O'Neill in 1822, this pencil and watercolor masterpiece now resides at Arnos Vale in Brislington, UK. The subject of the painting is believed to be Bishop Geoffrey of Coutance, although there is some debate among experts. Regardless of his identity, the figure exudes an air of authority and wisdom. Dressed in regal attire with a bishop's mitre atop his head, he commands attention with his piercing gaze. O'Neill's meticulous attention to detail brings this historical figure to life on paper. Every stroke captures the intricate folds of fabric and delicate features that define Robert Fitzroy's face. The use of watercolors adds depth and richness to the composition while maintaining a sense of softness. This artwork was generously bequeathed by William Jerdone Braikenridge to Bristol Museum and Art Gallery in 1908. It serves as a testament not only to O'Neill's artistic talent but also as a window into history itself. As we admire this remarkable piece today, we are reminded that art has the power to transcend time and connect us with individuals who have shaped our past.

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