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Cover of "The Red Laughter", Satirical in Colors
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Cover of "The Red Laughter", Satirical in Colors
ICA4845558 Cover of " The Red Laughter", Satirical in Colors, 1916_10_14: War of 14 -18: " Me, I come from far further" - Belligerants and symbols, Loan - Soldiers - Illustration by Abel Faivre (1867-1945) by Faivre, Jules Abel (1867-1945); (add.info.: Cover of " The Red Laughter", Satirical in Colors, 1916_10_14: War of 14 -18: " Me, I come from far further" - Belligerants and symbols, Loan - Soldiers - Illustration by Abel Faivre (1867-1945)); Photo eCaricadoc; French, out of copyright
Media ID 23343780
© Caricadoc / Bridgeman Images
14 18 Or 1914 1918 Displays Economy Frenchwoman Hairy Loanword Permissionary A Journal Caricadoc First World War 1st World War Iere Journalism Newspapers
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EDITORS COMMENTS
The print titled "Cover of 'The Red Laughter', Satirical in Colors" captures a captivating illustration by Abel Faivre, dating back to 1916 during the tumultuous period of World War I. The artwork showcases a satirical depiction of belligerents and symbols associated with the war, accompanied by the phrase "Me, I come from far further". Faivre's engraving skillfully combines humor and criticism as it portrays soldiers from different nations engaged in conflict. The illustration serves as a commentary on the absurdity and futility of war, highlighting the senselessness of nationalistic rivalries that lead to destruction. This historical artifact provides valuable insight into the socio-political climate of early 20th-century France. As an example of wartime satire, it reflects how artists used their craft to express dissenting opinions and challenge prevailing narratives. The image also offers glimpses into French society at that time, showcasing elements such as hairy soldiers and caricatured figures. It is reminiscent of popular illustrations found in newspapers and journals during this era. Preserved through time, this print allows us to appreciate both Faivre's artistic talent and his contribution to journalism. By examining this piece within its historical context, we gain a deeper understanding not only of art but also its role in shaping public opinion during times of crisis.
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