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The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome (The Legend of Saint Ursula), 1497. Artist: Carpaccio, Vittore (1460-1526)

The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome (The Legend of Saint Ursula), 1497. Artist: Carpaccio, Vittore (1460-1526)


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The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome (The Legend of Saint Ursula), 1497. Artist: Carpaccio, Vittore (1460-1526)

The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome (The Legend of Saint Ursula), 1497. Found in the collection of the Gallerie dell Accademia, Venice

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Media ID 14858573

© Fine Art Images

Carpaccio Cyriacus Faith Loyalty Martyr Martyrdom Patron Saint Saint Ursula Saints Ursula Of Cologne Venetian School Vittore 1460 1526


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> Arts > Artists > C > Vittore Carpaccio

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> Europe > Italy > Lazio > Rome

> Europe > Italy > Paintings

> Europe > Italy > Veneto > Venice

> Historic > Renaissance art > Italian Renaissance art

> Historic > Renaissance art

> Italian Renaissance


EDITORS COMMENTS
The captivating painting, "The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome (The Legend of Saint Ursula)" by Vittore Carpaccio, transports viewers to a momentous encounter between faith and power. Created in 1497 during the Renaissance period, this masterpiece can be found in the esteemed collection of the Gallerie dell Accademia in Venice. In this scene, we witness a group of pilgrims led by Saint Ursula arriving at the majestic walls of Rome. As they approach, Pope Cyriacus himself emerges to greet them with open arms and an expression filled with warmth and reverence. The composition is richly detailed, showcasing Carpaccio's mastery in capturing intricate costumes and architectural elements. This painting explores themes central to Christianity such as loyalty, martyrdom, and devotion to saints. Saint Ursula herself was a patron saint known for her unwavering faith amidst persecution. Through his artistry, Carpaccio brings together biblical references and mythology to create an allegorical representation that resonates deeply with viewers. "The Pilgrims are met by Pope Cyriacus" stands as a testament to Carpaccio's skillful use of oil on canvas technique within the Venetian school tradition. It serves as a visual reminder that art has long been intertwined with religious narratives throughout history. As we gaze upon this remarkable piece from centuries past, we are reminded not only of its artistic brilliance but also its ability to inspire contemplation about

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