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James Gillray He Steers His Flight

James Gillray He Steers His Flight


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James Gillray He Steers His Flight

James Gillray. He Steers His Flight: Or, Tentanda via est qua me quoque possim tollere humo (1810) [A cartoon of Lord Grenvilles Installation as Chancellor of Oxford. Grenville, seated in a balloon, is ascending into the air. He is attired in his Chancellors gown, with a crucifix on his back]. [Cuthbert-Hodgson Collection]

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Media ID 9897987

© Mary Evans Picture Library 2015 - https://copyrighthub.org/s0/hub1/creation/maryevans/MaryEvansPictureID/10843682

1810 Chancellor Gillray Grenville Installation Oxford Steers


He Steers His Flight - Or, Tentanda via est qua me quoque possim tollere humo,

EDITORS COMMENTS
a satirical masterpiece by renowned British caricaturist James Gillray, captures the whimsical and ironic spirit of the early 19th century. In this intriguing print from 1810, Gillray humorously depicts the installation of Lord Grenville as Chancellor of Oxford University. Grenville, dressed in the grandeur of his Chancellor's gown, is shown seated in a hot air balloon, ascending into the Oxford sky. A crucifix is attached to his back, symbolizing his new role and the weight of responsibility he now bears. The title of the print, "He Steers His Flight," alludes to Grenville's tenure as the Prime Minister during this period, as well as his new position at Oxford. The cartoon's title, "Tentanda via est qua me quoque possim tollere humo," translates to "Let us try that way, by which I too may rise above human affairs." This phrase highlights the audaciousness of Grenville's ambitions, as well as the satirical commentary on the perceived loftiness of political and academic elites. The print's backdrop includes various Oxford landmarks, such as the Radcliffe Camera and the Sheldonian Theatre, adding to the authenticity and historical context of the image. The use of a hot air balloon as a symbol of transportation and progress is an intriguing precursor to the invention of the airplane and the advent of modern aviation. This print by James Gillray offers a unique blend of historical significance, political satire, and artistic innovation. It provides a fascinating glimpse into the social and cultural landscape of early 19th century Britain, and continues to captivate viewers with its wit and relevance even today.

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